ROLAND FLEXNER Born in Nice, France. Lives in New York City.
SELECTED ONE PERSON EXHIBITIONS – SELECTED GROUP EXHIBITIONS – SELECTED BIBLIOGRAPHY – SELECTED PUBLIC LECTURES – SELECTED COLLECTIONS
SELECTED ONE AND TWO PERSON EXHIBITIONS
2017 Massimo de Carlo Gallery, Hong Kong. Roland Flexner and Ai Weiwei.
2016 Nouveau Musée National de Monaco, Monaco.
2015 Sargent's Daughters Gallery, New York. "Roland Flexner and Japanese Bronzes from the Edo Period."
2014 Massimo de Carlo Gallery, London,UK. "At the End of the Day."
2012 D’Amelio Gallery, New York
2011 D’Amelio Terras Gallery, New York. Roland Flexner and Chloe Piene.« RFCP. »
Galerie Nathalie Obadia, Paris, France
2010 Galleria Massimo De Carlo, Milano, Italy.
2008 D’Amelio Terras Gallery, New York
Galerie Nathalie Obadia, Bruxelles, Belgium
2007 Hosfelt Gallery, San Francisco. CA.
2006 Galerie Nathalie Obadia, Paris, France.
2005 Itsutsuji Gallery, Tokyo, Japan.
Caren Golden Gallery, New York.
2004 Galleria Massimo De Carlo, Milano, Italy.
Institut Franco-Japonais, Tokyo, Japan.
Institut Franco-Japonais, Yokohama, Japan
2003 Miller/Block Gallery, Boston, MA.
2002 Caren Golden Gallery, New York.
Hosfelt Gallery, San Francisco, CA.
2001 Caren Golden Gallery, New York.
Galerie Nathalie Obadia, Paris.
2000 Centre d’Art d’Yvry, Galerie F. Leger, Yvry-sur-Seine, France.
Espace Gustave Fayet, Serignan, France.
1999 Miller/Block Gallery, Boston, MA.
Hosfelt Gallery, San Francisco, CA.
Centre Regional d’Art Contemporain Languedoc-Roussillon, Sete, France.
1998 Deven Golden Gallery, New York.
Galerie Evelyne Canus, La Colle sur Loup, France.
1997 Aldrich Museum of Contemporary Art, Ridgefield, CT.
Cleveland Museum of Contemporary Art, Cleveland, OH.
Centre Regional d’Art Contemporain Languedoc Roussillon, Sete, France.
1996 Deven Golden Gallery, New York.
1994 Galerie Meteo, Paris.
1992 Abbaye de Noirlac, Noirlac, France.
1991 Saint Peter’s Church, New York.
Galerie Art Concept, Nice, France.
1990 Bitter Larkin Gallery, New York.
1987 Bruno Facchetti Gallery, New York.
1986 Bruno Facchetti Gallery, New York. "Submission."
1984 Edward Williams Gallery, Fairleigh Dickinson University, Hackensack, NJ.
1982 PS1, Institute for Art and Urban Resources, New York.
1981 Centro Internazionale di Sperimentazioni Artistiche Marie Louise Jeanneret, Boissano, Italy.
1978 Galerie La Caisse, Nice, France.
1974 Galerie AARP, Paris. "Analyse et Deconstruction d'un Signe."
1972 Galerie Fererro, Nice, France. "Permutations."
1971. Galerie Senatore, Stuttgart, Germany.
SELECTED ONE PERSON EXHIBITIONS – SELECTED GROUP EXHIBITIONS – SELECTED BIBLIOGRAPHY – SELECTED PUBLIC LECTURES – SELECTED COLLECTIONS
SELECTED GROUP EXHIBITIONS
2023. Marlborough Gallery. New York. "In Search of the Miraculous."
FRAC Auvergne, Clermond Ferrand, France. "Beautes."
National Museum of Modern Art Tokyo, Japan. "Visual Labyrinths."
Musee d'Art Moderne de Ceret, France. "Constellations."
Real Tinsel Gallery, Milwaukee, WI. "Unfixed."
2022. Grey Art Gallery, New York. "Mostly New, Selections from the NYU Art Collection."
FRAC Corsica, Corte, France. "I've Seen Things You People Would not Beleive."
Bravin Lee Gallery, New York. "If Tomorrow Comes."
2021. Centre des Munuments Nationaux, Chateau d'Oiron, France. "Grand Bazar,
Choix de Jean Hubert Martin dans la collection Antoine de Galbert."
National Museum of Modern Art Tokyo, Japan, MOMAT Collection, "Tohoko II,Memory, Rebirth."
Memorial Art Gallery, University of Rochester, NY.
2020. Musee Crozatier, Le Puy en Velay, France. "Memento."
Galerie Hussenot, Paris. "Mechanics of Skin."
Musee Regional d'Art Contemporain, Serignan, France. "La Vie dans l'Espace."
Grand Palais, Art Paris 2020. Commissariat: Gael Charbeau, "Histoires Communes et Peu Communes."
Musee d'Art et d'Archeologie, Aurillac, France. "Resonances et Conspirations."
The Storefront, Bellport, NY. "It's All about Water."
2019. Morgan Library and Museum, New York. "By Any Means,"
Foundation Santander, Sala de Arte, Madrid, Spain. "Collection Teixeira de Freitas."
Galerie Municipale Jean Collet, Vitry, France, "Inciser le Temps."
National Museum of Modern Art, Tokyo, Japan. "The Momat Collection."
Todd Hosfelt Gallery, San Francisco, CA. "Between Them."
Palais Lascaris, Nice, France. "Bouillon de Culture."
Galerie 1900-2000, Paris. "Ready Made etc."
2018 Nouveau Musee National de Monaco. "Selections from the NMNM Collection."
Musee d'Art et d'Archeologie d'Aurillac, Jardin des Carmes, Aurillac, France. "Double Jeu."
Sargent's daughters gallery, New York. "Vision of Other World."
Hong Kong City Hall, Le French May. HK. "School of Nice."
The University Museum of Tokyo, Intermediatheque, Japan. "Roc, The Quarries of Imagination-Stones between Art and Artifact."
FRAC Picardie, Galerie Robespierre, Grande Synthe, France. "Apparition du Dessin."
2017 The Albright-Knox Museum, Buffalo, NY. "Drawing,The Begining of Everything."
Aishti Foundation, Beirut, Lebanon. Selections from the Tony and Elham Salame Collection,
Curated by Massimiliano Gioni, "The Trick Brain."
Musee d'Art Moderne et d'Art Contemporain de Nice, France. "A Propos de Nice, 1947-1977."
Musee Regional d'Art Contemporain du Languedoc-Roussillon, Serignan, France. "La Pergola."
Centre Regional d'Art Contemporain, Sete, France. "La Tempete."
CAPC Musee d'Art Contemporain de Bordeaux, France. "Beau Geste Press."
2016 Centre Pompidou-Metz, France. "Sublime. The Tremors of the World."
Kunstraum Kreuzberg/Bethanien, Berlin, Germany. "Im Labyrinth der Unbeimlichen Zufalle."
Orlando Museum of Art, Orlando, Florida. "The Conversation Continues."
Institut d'Art Contemporain, Villeurbannes/Rhone-Alpes. France. "Paysages Cosmomorphes."
FRAC Picardie, Amiens, France. "Paysages Casses, Objets Naturels."
2015 Espace Culturel Europeen, Le Monastier sur Gazeille, France.
Gallery Joe, Philadelphia, PA. "The Last Picture Show."
Galerie du Jour, Agnes B., Paris. "Roc."
FRAC Picardie. Amiens, France. "Impromptu."
2014 La Maison Rouge, Paris. "Collection Antoine de Galbert."
FRAC Picardie, Amiens, France. "Acquisitions Recentes."
Abbaye Royale de Saint-Riquier, Baie de Somme, France. "La Main Invente le Dessin."
FRAC Auvergne, Clermond-Ferrand, France. "La Nuit, Pendant que vous dormez."
Steven Zevitas Gallery, Boston, MA. "Stroke, Trace, Blow."
2013 Musée National d'Art Moderne, Centre Pompidou, Paris. "Guerlain Donation. Contemporary Drawings"
Croker Art Museum, Sacramento, CA. “Approaching Infinity.”
College des Bernardins, Paris, France. “L’Arbre de Vie.”
FRAC Auvergne, Clermond Ferrand, France. “Sous l’Amazone Coule un Fleuve.”
Jan Schmidt Gallery, Florida Atlantic University, FL. “Pour.”
Travels to: Asya Geisberg Gallery, New York and Lesley Heller Workspace, New York.
Centre National d'Art contemporain, Villa Arson. "Noel Dolla: Entree Libre mais Non Obligatoire." Nice, France.
Lynch Tam Gallery, New York. "Blink."
Gallery Joe, Philadelphia, PA. "All Black."
2012 Shangai Contemporary Art Museum, The Power Station. Shangai, China. “Electric Fields.”
Indianapolis Museum of Art, Indianapolis, IN. “Graphite.”
Albright Knox Museum, Buffalo, NY. “Decade.”
National Museum of Modern Art, Tokyo, Japan. "The 70s and beyond."
Museum of Contemporary Art. Permm, Russia. “Contemporary French Painting, Combinations of History.”
Ecole Superieure d’Art et Design de Saint Etienne, France. “Fonds Commun."
Galerie Agart, Amilly, France. "Vanites et Autres Recits."
2011 Musee National d'Art Moderne, Centre Pompidou. Cabinet d'Art Graphique. "Acquisitions Recentes."
Henrique Faria Gallery, New York. "A line of Color."
Services Culturel de l'Ambassade de France, New York. "Clearing."
Musee d’Art Moderne et Contemporain . Nice, France. « La Couleur en Avant. L’Art Contemporain et la Cote d’Azur. 1951-2011.»
Galerie Nationale de la Tapisserie. Beauvais, France. « Ombres et Lumieres. »
F.R.A.C. Picardie, Amiens, France. "25 Ans de Dessin."
2010 Whitney Museum of American Art, New York. « 2010 Whitney Biennial »
Fond Regional d’Art Contemporain d’Auvergne, Clermond Ferrand, France. « Celebration.»
Musee des Beaux Arts de la Chaux-De-Fonds, Suisse. « Portrait de l’Artiste en Motocycliste. »
Stephan Stoyanov Gallery, New York. « Depth Perception. »
Wheatherspoon Art Museum, The University of North Carolina at Greensboro. « Art on paper Biennial 2010. »
The Royal Academy of Arts, London, England. « No New Thing Under the Sun. »
Galerie Nathalie Obadia, Bruxelles, Belgium. « Portraits »
Fond Regional d’Art Contemporain de Picardie, Amiens, France. « 25 Ans de Dessin, Noir ou Blanc."
Ars Libri, « The Cartin Collection.» Boston, MA.
2009 Magasin, Centre National d’Art Contemporain, Grenoble, France. «Portrait of the Artist as a Biker.»
The Andy Warhol Museum, Pittsburgh, PA. « The End.»
Musee d’Art Moderne de Saint-Etienne, France. « Fragile. Terres d’Empathie. »
The Daejeon Museum of Art, Daejeon, Korea.
Accademia d'Ungheria, Roma, Italy.
Galerie Nationale de la Tapisserie, Beauvais, France.« Je, Tu, Il ou Elle. »
Fondation Ricard. Paris, France. « Une Expedition. »
FRAC Picardie, Château-Thierry, France. « Vanites. »
Musee de Serignan, Serignan, France. « Comicstrip. »
Galerie Defrost, Paris. « Cent. »
Texas State University, San Marcos, TX. "Works on Paper."
John Jones Project Space, London, UK. "Paperview."
2008 1st Poznan Biennial, National Museum of Poznan, Poland. « Un Voyage Sentimental. »
Museum of Contemporary Art, Tokyo. Japan. « Parallel worlds. »
Fond Regional d’Art Contemporain de Picardie. Amiens, France. « Double Face. »
York Art Gallery. York, UK. « Past as Present. Works from the Lodevans Collection. »
Services Culturels de l’Ambassade de France. New York. « Collection Florence et Daniel Guerlain. »
Saranac Art Projects. Spokane, Washington DC. « The Essence of Touch. »
Bubaque, Guinee Bissau. « Offshore II. »
Ecole Regionale des Beaux-Arts de Nantes. France. « +De Realite. »
Caren Golden Fine Arts, New York. « Tension/Release. »
Galerie Iconoscope. Montpellier, France. « Imago Mundi. »
Fond Regional d’Art Contemporain de Picardie. Amiens, France. «Anatomie, Les Peaux du dessin.»
Galeria Porta. Funchai, Madeira, Portugal. « Desenhos Estranhos .»
G Fine Art, Washington, DC. "Black."
2007 Whitney Museum of American Art, New York. « Two Years.»
Château de Malbrouck, Manderen, France. « Le Merveilleux d’apres Nature. »
Cheim & Read Gallery, New York. « I Am as You Will Be.»
The Clay Center, Charleston, WV. « Realm of the Senses.»
The National Museum of Modern Art, Tokyo, Japan. «The Sense of Collapse.»
D’Amelio Terras Gallery, New York. «Works on Paper.»
North Dakota Museum of Art, Grand Falls, ND. «Conversations: Artist and Collector.»
Galerie Joe. Philadelphia, PA. «Ink.»
The Hospital. London, UK. « The End Begins. »
2006 The 4th Berlin Bienniale for Contemporary Arts, Berlin, Germany.
Curated by Maurizio Cattelan and Massimiliano Gioni. « Of Mice and Men. »
Flint Institute of Art. Flint, Michigan, « 400 years of Vanitas. »
Museum im Kulturspeicher Wurzburg, Germany, « Diagnose Kunst. »
Fond Regional d’Art Contemporain de Picardie, Amiens, France. « Acquisitions 2005. »
Neuberger Museum of Art, Purchase, New York.
Denise Bibro fine Art, New York, « Head over Hand. »
The Cartin Collection, Hartford, Connecticut, « Strange. »
Musee d’Art Contemporain de Serignan, France.
Jeannie Freilich Fine Art, New York.
Arkansas Art Center, Little Rock, Arkansas, « Collectors Choice and Show. »
2005 Samuel Dorsky Museum of Art, New Paltz, NY,
Chelsea Art Museum, New York. « Co-Conspirators: Artist and Collector.»
Kunst-Museum Ahlen, Germany, « Medizin im Spiegel der Zeitgenossischen Kunst. »
Centro Sperimentale per le Arti Contemporanee, Caraglio, CN. Italy,
« Chronos. Il Tempo nell’Arte d’all’Epoqua Barocca all’eta Contemporanea. »
Galerie Iconoscope, Montpellier, France, « Locus Solus. »
Caren Golden Fine Art, New York.
2004 The National Museum of Modern Art, Tokyo, Japan. « Selections from the Collection. »
Orlando Museum of Art, Orlando, Florida, « Co-Conspirators : Artist and Collector. »
Weatherspoon Art Museum. Greensboro, North Carolina, « Art on Paper 2004. »
Arkansas Arts Center, Little Rock, Arkansas, « National Drawing Invitational.»
Sun Valley Center for the Arts, Ketchum, Idhao, « Art at the Edge of Science. »
Fondation Antoine De Galbert, La Maison Rouge, Paris. « L’intime… »
Musee des Beaux Arts de Bordeaux, France. "Gilli and Co."
Cabinet des estampes au MAMCO, Geneve, Suisse, « Yellow pages. »
2003 The National Museum of Art, Osaka, Japan, « Continuity/Transgression. »
Michael Kohn Gallery, Los Angeles, California, « The Great Drawing Show. »
Galerie Nathalie Obadia, Paris, « Œuvres Recentes. »
Neuberger Museum of Art, Purchase, New York, « Breathless. »
Museo Regionale d’Aosta, Italy, « L’Arte del Giocco : da Klee a Boetti. »
Villa Arson, Nice, France, « Lee 3 Tau Ceti Central Armory Show. »
Galerie Nathalie Obadia, Paris, « Œuvres sur Papier. »
2002 The National Museum of Modern Art, Tokyo, Japan, « Continuity/Transgression. »
White Box Gallery, New York, « Oxygen. »
The Work Space, New York, « Blobs, Wiggles and Dots. »
Exit Art, New York, « Reactions. »
James Graham Gallery, New York, « Cascade of Scales. »
The Drawing Center, New York, « Anniversary Exhibition. »
2001 Musee d’Art Moderne et d’Art Contemporain, Nice, France
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, « Snapshots. »
Geoffrey Young Gallery, Great Barrington, Massashussets, « Luck of the Drawn. »
Contemporary Museum, Baltimore, Massashussets, « Snapshots. »
2000 Beaver College Art Gallery, Glenside, Pensylvania.
John Michael Kohler Arts Center, Sheboygan, Wisconsin, « Blurry Lines. »
Curt Marcus Gallery, New York.
Galerie Korea, Korean Cultural Services, New York.
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, « Best of the Season. »
1999 Nicole Klagsbrun Gallery New York, « Works on paper. »
Hosfelt Gallery, San Francisco, California.
Yoshi Gallery, New York, « Petits Formats. »
Galerie Brownstone/Correard, Paris.
Galerie Jacques Girard, Toulouse, France.
Florence Lynch Gallery, New York, « Hands Off. »
Galerie Brownstone, Paris, « Radicalite. »
1998 Deven Golden Gallery, New York.
Maria Cilena Arte Contemporanea, Bologna, Italy.
Galerie Ziegler, Zurich, Switzerland, « Encres sur papier. »
Morgensen Gallery, New York.
Musee d’Art Moderne et Contemporain de Strasbourg, France, « Inaugural exhibition. »
Gallery Korea, Korean Embassy, New York, « Drawings . »
1997 Cheryl Haynes Gallery, San Francisco, California. « Obsession + Devotion. »
Usdan Gallery, Bennington College, Vermont, « Light Catchers. »
Galerie Meteo, Paris, « In Vivo. »
Galerie De La Salle, Saint-Paul de Vence, France « Ecole de Nice, 1967/1997. »
Exit Art, New York, « Auto Portrait, The Calligraphy of power. »
Galerie Meteo, Paris, « Meteo Show, Micro Climat sur l’Art Contemporain. »
1996 Curt Marcus Gallery, New York, « Works on Paper. »
Galerie Alejandro Sales, Barcelona, Spain.
Centre d’Art Contemporain Le Capitou, Frejus, France.
Centre National d’Art Contemporain de Grenoble, France,
« Morceaux Choisis du Fond National d’Art Contemporain. »
Galerie Meteo, Paris.
1995 E.S. Vandam Gallery, New York.
Centre d’Art du Parvis, Tarbes, France, « Figures. »
Galerie Meteo, Brussels, Belgium.
Espace Boyer, Sete, France, « L’Art d’Aimer. »
Galerie Alejandro Sales, Barcelona, Spain.
1994 Philippe Briet Gallery, New York.
Ecole des Beaux Arts de Lorient, France, « Le temps d’un dessin. »
Galerie Meteo, Espace Tour Eiffel, Paris.
1993 The Drawing Center, New York, « Selections, Spring 93. »
French Cultural Services of the French Embassy, New York,
« An American Collection of Contemporary French Art. »
1992 Galerie Gerald Pilzer, Paris, « Vive la France. »
Galerie Michel Vidal, Paris, « Les Annees 60. »
1991 Galerie Montaigne, Paris. « Dessins. »
1990 Musee des Beaux-Arts Jules Cheret , Nice, France.
Musee d’Art Moderne et d’Art Contemporain de Nice, « Abstraction des annees 70-80. »
1989 Bass Museum of Art, Miami Beach, Florida.
The John and Mable Ringling Museum of Art, Sarasota, Florida « The School of Nice. »
1988 Bruno Facchetti Gallery, New York.
1986 Palais des Arts, Musees de Nice, France, « Autour de Nice. »
1985 Fondation Marie-Louise Jeanneret, Boissano, Italy, « 10 years of Activities. »
1984 Galerie d’Art Contemporain des Musees de Nice, « L’Art Contemporain au Musee. »
The New Museum of Contemporary Art and The Westbeth Gallery, New York,
« Artists against Intervention in Central America. »
1983 PS1, The Clock Tower, New York, « Xenophilia. »
Institute for Art and Urban Resources, PS1, Queens, New York.
Galerie des Ponchettes, Musees de Nice, France.
1982 Fashion Moda Gallery, The Bronx, New York, « San Francisco – NY, Another First. »
Downtown Cultural Center Artyard, Brooklyn, New York,
« The Monument redifined, an International Exhibition of Contemporary Monuments. »
ENAC, Musees de Nice, France, « 10 Ans des Musees de Nice, Activites et Acquisitions. »
1981 Sarah Hilden Art Museum, Tampere, Finland. Fondation Gulbenkian, Lisbon, Portugal.
Musee Sainte Croix de Poitier, France. Centre Culturel du Parvis, Tarbes, France.
1980 Musee d’Art Moderne, Paris. « Biennale de Paris. »
Galerie des Ponchettes and Galerie d’Art Contemporain des Musees de Nice, France. "La Biennale de Paris a Nice."
Maison de la Culture Andre Malraux, Creteil, France, « Panorama de l’Art en France. »
1979 Serpentine Gallery, London, England. « French Art, An English Selection. »
Fruit Market Gallery, Edinburgh, Scotland, « A British Council Exhibition. »
1977 Musee National d’Art Moderne, Centre Pompidou, Paris. « A Propos de Nice. »
Musee d’Art Moderne de Paris, ARC 2, France, « Les Boites. »
1976 Esplanade de la Defense, Paris. "1er Salon de la Critique." Choix de Bernard Lamarche Vadel.
1975 Centre Culturel de Villeparisis, France.
1974 Theatre de Nice, Centre National Nice – Cote d'Azur. France. "Aspects de l'Avant Guarde en France."
1973 Rencontres Internationales d'Art Contemporain de La Rochelle, France. "45 Peintres, Rue du Temple."
Galerie Ferrero, Nice, France. "Ecole de Nice, 1953-1973."
1972. Galerie Storme, Lille, France.
Salle des Sports, Etrechy, France. "20 Peintres et le Groupe Textruction."
1971 Galerie De la Salle, Vence, France. "Les Paravents."
Galerie des Ponchettes, Nice, France.
Bibliotheque Municipale de Tours, France. "Environ 3."
Galerie T'Venster, Rotterdam, Netherlands.
Baukunst Gallery, Koln, Germany.
1970. Galerie Alphonse Chave, Vence, France. "Haute Tension."
Galerie Claude Givaudan, Festival International du Livre de Nice. "Le Livre Objet."
Centro La Comune, Brescia, Italia. "Quattro Giovani Della Ecole de Nice."
Galleria Techne, Firenze, Italia.
Bibliotheque Municipale de Tours, France. Environ II. "Aux Armes Citoyens."
1969. Sigma V, Bordeaux, France. "L'ecole de Nice."
SELECTED ONE PERSON EXHIBITIONS – SELECTED GROUP EXHIBITIONS – SELECTED BIBLIOGRAPHY – SELECTED PUBLIC LECTURES – SELECTED COLLECTIONS
SELECTED BIBLIOGRAPHY
Vergnes, Jean-Charles. "Beautes." Exhibition Cat. FRAC Auvergne, Clermont Ferrand, France 2023.
Mosse, Gerard. Sarmiento, Sebastian. "In Search of the Miraculous." Exhibition Cat. Marlborough Gallery, New York Feb.2023.
Wei, Lilly. "In Search of the Miraculous." Studio International, Feb, 2023.
Nguyen Binh, Eva."72 Saisons a la Villa Kujoyama." Institut Francais du Japon, Kyoto, Japan. Editions Gallimard, 2022
Luccioni, Ignacio. "Un Clin d'Oeil a Blade Runner." Corse Matin, Corsica, Dec. 2021.
Rubinstein, Raphael. "The Miraculous. New York. 57. (The Bowery.)" The Brooklyn Rail, New York, June 2021.
Martin, Jean Hubert. "Grand Bazar, Choix de Jean Hubert Martin dans la collection Antoine de Galbert,"
Centre des Monuments Nationaux, Chateau d'Oiron. Editions Empire, France, 2021.
Union Catalog of the National Art Museums of Japan, Tokyo, 2021.
Charbeau, Gael. "Common and Uncomon Stories." Exhibition Cat. Art Paris. 2020.
Vergnes, Jean-Charles. "Memento." Exhibition Cat. Musee Crozatier, Puy-en-Velay, France 2020.
Motard, Alice. "Beau Geste Press." Exhibition Cat. CAPC Musee d'Art Contemporain de Bordeaux, France 2020.
Lambotte, Marie-Claude. "Vanites, Compositions de la Fin." Presses Universitaires de la Mediterranee, Montpellier, France 2019.
Flexner, Roland. "Machines." Cahiers de l'Agart No2. pp.37-50, France 2019.
Chiara, Sara. "No Habra Numque una Puerta, Estato Endentra." Colecao Teixera de Freitas. Santander Foundation, Madrid, Spain 2019.
Osawa, Kei. "The Quarries of Imagination, Stones and Fantasy." Exhibition Cat. University Museum of Tokyo. Japan 2018.
Gioni, Massimiliano. "The Thick Brain." Selections from the Tony and Elham Salame Collection." Aishti Foundation, Skira Edition, 2018.
Guenin, Helene. "School of Nice, From Pop Art to Happenings." Hong Kong City Hall, Le French May. MAMAC 2018.
"The Artist Project, What Artists see whent they look at Art." The Metropolitan Museum, Phaidon. Oct. 2017.
Francois, Rebecca. "A Propos de Nice, 1967-1977." Exhibition Cat. MAMAC. Somogy Editions. Paris. June 2017.
Roland Flexner"s Alien Landscapes. Notey Hong Kong March 2017.
Roland Flexner, Ai Wei Wei. " Passion Time, Hong Kong, March 2017.
Gueheneux, Lise. "La Tempete." L'humanite, Paris, France. 2017.
Ai Wei Wei Ai X Roland Flexner. Elle HK, April 2017
Mota, Sofia Margarida. "Roland Flexner e Ai Weiwei juntos em exposicao." Hojemacau, Macao. April 18 2017.
"Dialogues in Expanding Material Boundaries: Roland Flexner – Ai Weiwei." Artco Magazine. Taiwan. April 2017
Roland Flexner – Ai Weiwei, Time out Hong Kong. March 2017.
Roland Flexner – Ai Weiwei, Hong Kong Tatler. April 2017.
Mulford, Hansen. "The Conversation Continues." Cat. Orlando Museum of Art, Florida. Sept. 2016.
Gascoigne, Laura. "Contemporary Sublime." Apollo Magazine, London. April 2016.
Guenin, Helene. "Sublime. Les Tremblements du Monde." Cat. Musee Pompidou-Metz. 2016.
Cerany, Cedric. "Les Paysages Etranges de Roland Flexner." Nice Matin. Feb. 20 2016.
Fontaney, Anne-Sophie. "Duane Hanson et Roland Flexner au NMNM." Monaco Hebdo. Feb. 2016
Davy, Isabelle. Roland Flexner, NMNM, Villa Paloma. d'Art et de Culture No33, Monaco 2016.
Cigainero, Jake. "Pompidou-Metz surveys Natural Disaster." Blouin. Jan. 2016
Smith, Roberta. "Roland Flexner and Japanese Bronzes of the Edo Period. The New York Times, New York. Oct. 9 2015.
Rodhes, David. "Roland Flexner and Japanese Bronzes of the Edo Period." The Brooklyn Rail, New York. 2015.
Starnes, Sadie. "The Sumi-e Spray Drawings of Roland Flexner." Art Critical, New York. 2015.
Roland Flexner, "At the End of the Day." Time Out London, UK.
Pfefferle, Karen. Wellington Management's Collection of Contemporary Art, Mass. 2014.
Rohman, Benidris. "Roc a la Galerie du Jour." L'Officiel, Paris, Jan. 2014.
Donation Florence et Daniel Guerlain. Dessins Contemporains. Cat. Centre Pompidou, Paris. Sept. 2013.
Schwabsky, Barry. Roland Flexner at D’Amelio gallery. Art Forum. January 2013.
Heartney, Eleanor. Roland Flexner at D’Amelio Gallery, Art Press, No 397. Paris, Feb. 2013.
Rubinstein, Raphael. Roland Flexner, The Brooklyn Rail, Feb. 2013.
Mac Quaid, Cate. "Lines of shadow, light, movement." The Boston Globe, Feb. 27, 2013.
Emerson-Dorsch Tyler. Maine, Stephen. “Pour.” Exhibition cat. Florida Atlantic University, Boca Raton FL. Feb. 2013.
Daniels, Diana. “Approaching Infinity.” Exhibition cat. Crocker Art Museum, Sacramento, CA. 2013.
Einspruch, Franklin. "Oil as Water, Pour." Art Critical, New York. Sept. 2013.
Garcia, Mark. Emerging Technologies and Drawings, Wiley & Sons Ltd. London. Sept. 2013.
Charbau, Gael. Flexner, Roland. "Questions d'Artistes." Cat. Collège des Bernardins. Paris. 2013.
Vergne, Jean Charles. "Sous l'Amazone Coule un Fleuve." Cat. FRAC Auvergne, Clermont-Ferrand, France. 2013
Fau, Alexandra. Audureau, Nicholas. "French Contemporary Painting. Combinations of History." Cat. Contemporary Art Museum of Permm, Russia. 2012.
Roland Flexner at D’Amelio Gallery. The New Yorker. Nov. 2012.
Roland Flexner at D’Amelio. Time Out, New York. Nov. 2012.
"60 Years of the National Museum of Modern Art, Tokyo." MOMAT edition, Tokyo, Japan. 2012.
Power Station of Art, “Electric Fields, Surrealism and beyond.” Shangai Contemporary Art Museum, Exhibition Cat. China. Dec. 2012.
“The Lookout” Art in America, NY. Nov. 2012.
Green, Sarah. “Roland Flexner.” Essay in the exhibition catalogue of “Graphite. Indianapolis Museum of Art, IN. 2012.
Boucher, Brian, Art in America June 2012.
“Decade,” Albright Knox Art Gallery, , Exhibition cat. Buffalo, NY. Nov. 2012.
Coates, Jennifer. "Les paysages Mentaux de l'Armory Show." Le Quotidien de l'Art, Paris. 9 March 2012
Zanchetta, Alberto. "Frenologia della Vanitas.Il Teschio nelle Arte Visivi." pp.42-44, 273-280, 320-323. Johan and Levy Editore. Italy 2011.
Davidson, Margaret. « Contemporary Drawing. » Random House New York, 2011.
Smith, Mariann W. "Albright Knox Art Gallery, Highlights of the Collection." Scala Publisher, London, UK 2011.
Brun, Michelle. Gilbert Perlein. "L'Art Contemporain sur la Cote d'Azur – 1951-2011." Les Presses du Reel. July 2011.
Marcelis, Bernard. "La Couleur en Avant." Art Press No 380 (tire a part). Summer 2011.
Debailleux, Henry Francois. « Parcours d’Incidents. » Liberation, Paris, France. April 27, 2011.
Lorent, Claude. «La Tache comme Figure Artistique.» La Libre Belgique, Belgium. March 17, 2011.
Chauvy, Laurence. « Un Art en Or » Le Temps Geneve, Suisse. January 18, 2011.
Flexner, Roland. «Artist Project. LG suite.» Esopus Magazine, p. 18 to 31. Esopus Foundation. New York, May 2011.
Tagliafiero, Mario. « Recensione. » Flash Art. Italy. November 2010.
Mac Quaid, Cate. « A Soap Bubble effect. » The Boston Globe. November 10, 2010.
Meneghini, Matteo. Exibart, October 2010. Milano, Italy.
Charbonneaux, Anne-Marie. « L’or dans l’Art Contemporain. » Edition Flammarion, Paris 2010.
Yablonsky, Linda. « Art and Action. » The New York Times. October 8, 2010.
Hirsh, Faye. « In the Studio, with Roland Flexner. » pp.78 to 83. Art in America. September 2010.
Flexner, Roland. « Counterculture. » Volume Magazine. Archis Publisher. New York /The Netherlands. 2010.
Plagens, Peter. « Eye Level. » Art in America, New York. May 2010.
Martinez, Chus. « Whitney Biennial. » Art Forum, New York. May 2010.
Levin, Todd. « The Voices of Silence. » Flash Art, International edition. June 2010.
Zohn, Patricia. « Whitney Biennial exclusive. » The Huffington Post, USA. Feb. 24, 2010.
Schwabsky, Barry. « Scattered Threads. » The Nation. USA. April 26, 2010.
Pollack, Barbara. « A review of 2010. » Art News. New York, March 2010.
Esplund, Lance. « The Unbearable Yet Obligatory. » The Wall Street Journal, New York. March 27, 2010
Thorson, Alice. « The Show. » The Kansas City Star. March 15, 2010.
Shumann, Stephanie. « Roland Flexner in 2010. » The Drawing Center, New York. March 2010
Lambotte, Marie Claude. Flexner, Roland. « Les Vanites dans l’Art Contemporain, » P. 27,28, 30 31,174, 175. Editions Flammarion, Paris 2010.
Yablonsky, Linda. « Whitney Museum’s New Show. » Bloomberg News. Feb, 28 2010.
Harper’s Magazine, New York. May 2010.
Luse, Mimi. « The Whitney Biennial Fails Better. » Black Book Magazine. Feb. 2010.
Yung, Susan. « Biennial Time. » Sunday Arts. PBS Thirteen. Feb. 26, 2010.
Bonnet, Frederic. « Le Whitney en 2010. » Journal des Arts, Paris. No 231, 2010.
Volume magazine No 24, « Counterculture. » Archis Publisher, New York/Amsterdam.
Fincato, Olivia. « L’America del Cambiamento. » Rolling Stone, Italy. March 2010.
Berland, Alain. « Echos d’outre-Atlantique. » Mouvement. Paris, May 2010
Kuhn, Thomas W. « Whitney Biennial :2010. » Kunstforum International. May/June 2010.
The Whitney Biennial 2010. Cat. Yale University Press. New Heaven and London, 2010.
Lorand Hegyi « Fragile, Fields of Empathy. » Skira Editions, Milan, Italy. April 2009.
The Harvard Review, Cambridge, MA. USA 2009
Shiner, Eric. « The End. » Cat. The Warhol. Pittsburg. February 2009.
Shaw, Kurt. « End, Offers Crisis Management. » Pittsburgh Tribune. Pittsburgh. March 11, 2009.
Mediations Biennale 2008. Cat. Poznan Biennale. Wydawca Publisher. Poznan, Poland.
Lecointre, Yves. « Anatomie, Les Peaux du Dessin. » Cat. Collection Guerlain. FRAC Picardie, 2008.
Lorent, Claude. « Des Mondes Enigmatiques. » La Libre Belgique, Bruxelles. 19 November 2008.
Kilston, Lyra. « Roland Flexner :Cuts. » Art on Paper. New York. November 2008.
Flexner, Roland. « Parallel World. » Cat. Museum of Contemporary Art, Tokyo. September 2008.
Dessins « New York 2008. » Cat. Fondation Florence et Daniel Guerlain. New York, 2008.
Daneri, Anna. « Ink World » Mousse Magazine P. 85-87 Milano. Italy. October 2008.
Dessins New York 2008. « Collection Florence et Daniel Guerlain. » 2008
Cattelan Maurizio, Massimiliano Gioni, Ali Subotnick.«Charley 05.» Deste Foundation for Contemporary arts. Athens, Greece. 2007
Debize Christian . « Rodeurs du Merveilleux. » Cat. Château de Malbrouck France. September 2007.
Smith, Roberta. « Going the Way of All Flesh, Artistically. » The New York Times. October 10, 2007.
Goodrich, John. « The Macabre in Every Medium. » The New York Sun. NY. September 20, 2007.
Newhall, Edith. « Drawings that Dot the Ink. » The Philadelphia Inquirer. PA. July 20, 2007.
Tricot, Xavier. « I Am as You Will Be.» The Skeleton in Art. Exhibition cat. Cheim & Read Gallery. New York, September 2007.
Susuki, Katsuo. « The Sense of Collapse. » Exhibition cat. The National Museum of Modern Art. Tokyo 2007.
Baker, Kenneth. “Searching for Meaning…” San Francisco Chronicle. CA. May 12, 2007.
Leismann, Burkhard. “Diagnose Kunst.” Wienand Verlag. Koln, Germany, 2006
Golden, Deven. “The Raw and The Cooked.” On Edge. American Abstract Artists Journal. New York. No 5, Fall 2006.
Pedrosa, Adriano. “Desenhos. Drawings: A-Z”. Coleccao Madeira Corporate Services. Lisbon, Portugal. 2006.
Collection Florence & Daniel Guerlain. “Dessins.” (2 catalogues) Paris, 2005-2006.
Phay-Vakalis, Soko. « L’envers des Vanites de Roland Flexner. » Art Absolument. Paris. Sept. 06.
Von Hute,Thon. « Hauptstrasse der Kunst.» Art kunstmagazin. Hamburg, Germany. April 2006.
Kernan, Nathan. « Roland Flexner at Caren Golden. » Art in America. New York. March 2006.
Allen, Jennifer. « The 4th Berlin Biennial. » Artforum. New York. May 2006.
Cattelan, Maurizio. Gioni, Massimiliano. « Of Mice and Men." Exhibition cat. 4th Berlin Biennial, Berlin, Germany. March 2006.
Biesenbach, Klaus. KW, 37 Rooms, and the Berlin Biennial. KW Institute for Contemporary Art, Berlin, Germany. 2006.
Kelly, Raymond J. « To be, or not to be. Four Hundred Years of Vanitas Paintings. » Flint Institute of Arts. Flint, Michigan. 2006.
Naves, Mario. « With Chance and a Quick brush, Artist Invents Nocturnal Dramas. » New York Observer. NY. November 14, 2005.
Baker, R.C. « Voice pick. » The Village Voice. November 11, 2005.
McAdams, Shane. « Roland Flexner, Nocturne. » The Brooklyn Rail. New York, November 2005.
Flexner, Roland. The New Yorker. New York, November 14, 2005.
Dexter, Emma. Schwabsky, Barry. « Vitamin D. New perspectives in Drawing. » Phaidon Press. New York/London. 2005.
Lambotte, Marie-Claude. « Les Vanites dans l’Art Contemporain » Editions Flamarion, Paris 2005.
Mori, Yoko. « Concept in Basic Bubble Engineering. » Technosystem. Tokyo, Japan 2005.
Charley No4, Checkpoint Charley. Edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, The Berlin Biennial, Germany. 2005.
Busto, Andrea. « Chronos, Il Tempo nell’Arte. » Ed. Marcovaldo. Caraglio, Italy. 2005
Young, Brian. « Roland Flexner. » National Drawing Invitational, Cat. p.p. 18-19, 50-51. Arkansas Arts Center, Little Rock, AK. January 2004.
Scott, Sue. « Co-Conspirators : Artist and Collector. The Making of a Collection. » Orlando Museum of Art. FL. September 2004.
Rubinstein, Raphael. « Independent and International, Highlights of the Cottrell/Lovett Collection» Orlando Museum of Art. FL. September 2004.
Malecky, Alex. « Neuberger Exhibit Leaving Patrons Breathless. » The Harrisson Report. (p.p 2-4. Illust.) NY. December 5, 2003.
Stampelman, Arthur. « Neuberger Leaves us Breathless. » The Rye Record. NY. October 2, 2003.
Pettinger, E. J. « And The Universe Said. » Boise Weekly. ID. December 17, 2003.
Genocchio, Benjamin. « An Etheral World Explored Breath by Breath. » The New York Times. September 23, 2003.
Dagen, Phillipe. « Selection de Galeries. » Le Monde. Paris. 30 September, 2003.
Princenthal, Nancy. « Roland Flexner, 1 :1. » Art On Paper. New York. March/April, 2003.
Mc Quaid, Cate. « Simple and Intricate Style Creates Impressive Results. » The Boston Globe. MA. May 30, 2003.
Golden, Deven. « The Raw and The Cooked. » Art Critical. New York. Summer 2003.
Schwabsky, Barry. «1:1 Roland Flexner.» Art Forum/Book Forum. NY. Vol. 10. Spring 2003.
Rubinstein, Raphael. « When Bubbles burst. » Art In America. p.p. 96 to 99. NY. February 2003.
Wolinski, Natacha. « Livres : 1:1. » Beaux Arts Magazine. Paris. No 224. Janvier 2003.
Hirayoshi, Yukihiro. « R. Flexner. » The National Museum of Modern Art, Osaka. Cat. Jan. 2003.
Gateau, Laurence. "Lee 3 Tau Ceti Central Armory Show," Exhibition Cat. Villa Arson, Nice, France. 2003.
Smith, Roberta, «Art in Review. Roland Flexner at Caren Golden Fine Art » The New York Times NY. October 11, 2002.
Lambotte, Marie-Claude. « La Vanite dans l’Art Contemporain: La Mise en Acte de l’ephemere. » Textuel. No 42. Paris. November 2002.
Wright, Annabel. « Callenging Meaning in Contemporary Arts. » The Daily Yomiuri-Weekend. Tokyo, Japan. November 18, 2002.
Bellasi, Pietro. «L’Arte del Gioco. Da Klee a Boetti.» Edizioni Gabrielle Mazzotta. Milano. 2002
Nakabayashi, Kazuo. « A perspective on Contemporary Art : Continuity/Transgression. »
Exhibition Cat. The National Museum of Contemporary Art. Tokyo, Japan. October 2002.
Flexner, Roland. « Playing with Bubbles » Exhibition cat. MOMAT, Tokyo, October 2002.
Larkin, Matthew. « The End of Art History. » The Japan Time. Tokyo. January 29, 2002.
Naumann, Peter. « Continuity/Transgression. » Tokyo Q. Japan. November 2002.
McGee, John. « A Perspective on Contemporary Art » Metropolis Japan. Tokyo. November 2002
Dannat Adrian. « The French connection. » The Art Newspaper. » New York. October 2002.
Reol, Jean-Marc. « Repetition. » Roland Flexner 1 :1. Editions Michel Baverey, Paris. Sept. 2002.
Tronche, Anne. « Double Visibilite. » Roland Flexner 1 :1. Editions Michel Baverey. Paris. Sept. 2002.
Flexner, Roland. « Choosing Paper. » Art on Paper. pp.104-105. New York. May/June 2002.
Schwabsky, Barry. « Roland Flexner. » Review. Art on Paper. New York. Sept. – Oct. 2001.
Hutcheson, Katurah. « Blurry Lines. » Review. Art on Paper. New York. May – June 2001.
Krajewsky, Sarah. « Blurry Lines. » New Art Examiner. WI. March 2001.
Robin, Herve. « L’Art et la Maniere de Coincer une Bulle. » Le Midi Libre. Toulouse, France. January 17, 2001.
Johnson, Ken. The New York Times. NY. July 14, 2000.
Guehenneux, Lise. « Les Bulles du Souffle.» L’Humanite. Paris. 30 Octobre 2000.
Philippi, Desa. « Roland Flexner, Encres : Minimal Surfaces. » Cat. essay. Centre d’Art d’Ivry . Paris. September 2000.
Mc Quaid, Cate. « Words and Images in Witty Puns. » The Boston Globe. MA. Dec. 23, 1999.
Johnson, Ken. « Art in Review : Drawings. » The New York Times. NY. August 13, 1999.
Baker, Kenneth. « Drawing Unbound. » San Francisco Chronicle. p. D1. CA. August 7, 1999.
Goodman, Jonathan. « Roland Flexner at Deven Golden Fine Art. » Art on Paper. Volume 2, No 3. New York. January 1999.
Levin, Kim. « Review. » The Village Voice. New York. September 1998.
Flexner, Roland. Drawings in Daniel Dezeuze : Colophons. Editions Athanor, Marseille, France. 1998.
Litt, Steven. « Flexner Paintings, Drawings Show his Mastery of Illusion. » The Plain Dealer. p.p. 5E-8E. Cleveland, OH. February 3, 1998.
Hirsch, Faye. « Drawing Bone : Roland Flexner Figures and Vanitas. »
Cat. Essay. The Aldrich Museum of Contemporary Art. Ridgefield, CT. January 1997.
Harris, Susan. « Roland Flexner at Deven Golden. » Art in America. New York. March 1997.
Hirsch, Faye. « Roland Flexner. » Meteorie. Editions Galerie Meteo, Paris. Spring 1997.
Flexner, Roland. Drawings on « John Yau : Genghis Chan Private Eyes XXIII. » pp. 84-89. Lacanian Ink. No 11. New York. Spring 1997.
Nahas, Dominique. « Roland Flexner at the Aldrich Museum. » Review Magazine. New York. February 1997.
Charles, Eleanor. The New York Times. CT. Ed. January 26, 1997.
Flexner, Roland. « CAA Annual Conference. » Abstracts. p.p. 123-124. New York. Feb. 1997.
Chambers, Christopher. « Roland Flexner at Deven Golden. » Arts Magazine. New York. Nov. 96.
Hirsch, Faye. « Roland Flexner. » On Paper. Vol. 1, No 2. New York. November 1996.
Kaneda, Shirley. « Editor’s Choice. » Bomb Magazine. No 57, New York. November 1996.
Rubinstein, Raphael and John Yau. « Report from the Ruins of Emerauld City. » Lingo, No 6. Winter 1996.
Mendelson, John. « Roland Flexner at Deven Golden Fine Arts. » The Artnet Hit List. Nov. 1997
Flexner, Roland. « Art in the Folds. » New Observations. No 110. New York.
Intro : page 2 and «Fabric Made Body. » p.p. 26-27. January – February 1996.
«Chroniques Nicoises, Genese d’un Musee. » Tome 2. Musee d’Art Moderne et d’Art Contemporain. Nice, France. 1996.
Parsy, Paul Herve. « Roland Flexner. » Morceaux Choisis du Fond National d’Art Contemporain."
Le Magasin. Exhibition cat. Centre National d’Art Contemporain de Grenoble. France. October 1995 – January 1996.
Flexner, Roland. « Corps Mystique, Corps Sacre. » Yale French Studies. No 86. (Cover.) New Heaven, CT.1995.
Muridsany, Michel. « Une rentree Consensuelle. » Le Figaro. Paris. September 20, 1994.
Exporama. « Roland Flexner, Galerie Meteo. Art Press. No 197. December 1994.
Flexner, Roland. «Drawing Project.» Bomb Magazine. No 47. p.p. 84-85. New York. Spring 94.
Flexner, Roland. « Looking at Sculpture as a Pictural Model. » Visibility and Expressivity : Seventeenth Annual meeting. Philosophy and Litterature
Conference. Duquesne University. Pittsburg, PA. May 1993.
«The Drawing Center’s Annual Selections. » The New Yorker. New York. March 22, 1993.
Flexner, Roland. « Statement. » Exhibition Cat. Selections/Spring 93. The Drawing Center. New York. 1993.
Hartney, Eleanor. « An American Collection of Contemporary French Art. » Exhibition cat. French Cultural Services. New York. November 1993
Flexner, Roland. « Lettre de Noirlac: Diptyques a Pleurants.» 10e ed. Abbaye de Noirlac. France. Ete 1992.
Desbiolles, Maryline. « La Main a la Pate. » sur 10 dessins de Roland Flexner. La Metis. No 6. Le Travail. Spring 1991.
«Chroniques Nicoises, genese d’un Musee. » Tome 1. Ed. Musee d’Art Moderne et d’Art Contemporain. Nice, France. 1991.
Mc Namara, Peter. « Roland Flexner at St Peter’s Church. » Art and Architecture. March 1991.
Hunter, Sam. « Roland Flexner, Recent Paintings. » Exhibition cat. Bitter/Larkin Gallery. New York. Jan. 90.
Von Weist, Powell. « Roland Flexner at Bitter/Larkin. » New York Magazine. February 1990.
Hunter, Sam. « The School of Nice and its Movements. » Exhibition cat. Bass Museum of Art. Miami, FL. March 1990.
Shulman, Woody. « French Works Shows Rebellion Against Predecessors’s Art. » The Bradenton Herald. FL. November 15, 1989.
Ruggiero, Laurence. « The School of Nice. » Exhibition cat. The John and Mable Ringling Museum of Art. Sarasota, FL. October 1989.
Fournet Claude, « Autour de Nice. » Fond d’Art Contemporain. Cat. Musees de Nice. June 1985.
« 10 Ans des Musees de Nice, Activites et Acquisitions :1972-1982. » Cat. Galerie d’Art Contemporain des Musees de Nice. France. November 1983.
Imbernon, Laurence. « Tout Vas Bien, Comme la Peinture en 1970. » Artistes. No 13. Paris. November 1982.
Reol, Jean-Marc. "La Collection Lamarche Vadel." Exhibition cat. Musee Sainte-Croix, Poitiers, France.1982.
Gowa, Sabine. « Roland Flexner : Croisees. » Exhibition cat. Fondation Marie-Louise Janneret. Boissano, Italy. July 1980.
Marle, Judy. « Roland Flexner. » Biennale de Paris. Exhibition cat. Musee d’Art Moderne de la Ville de Paris. September 1980.
Flexner, Roland. « Iconographie. » Œuvres de la Collection Durand Ruel. Les Cahiers d’Imago. Paris. September 1980.
Marle, Judy. « French Art, An English Selection. » An Exhibition of the British Council. The Serpentine Gallery. London. UK. April 1979.
Domingo, Willis. « Artists from France. » Art Monthly. London. May 1979.
Wayser, Claudine. « L’Ecole de Nice. » Art Press International. Paris. 1979.
Cork, Richard. « Undiscovered Country. » The Guardian. London. April 20, 1979.
Shepherd, Michael. « France’ 79. French Art at the Serpentine. France’79-Dry, Travels Well. » What’s On in London. April 6, 1979.
« Kleines Lexikon der Pop Art. DuMont Buchverlag. Koln, Germany. 1978.
Fournet, Claude. « L’Ecole de Nice, 20 Ans Apres : L’Aventure du Sens de la Peinture. » Connaissance des Arts. No 316. p.p. 78-85. Paris. June 1978.
Lamarche Vadel, Bernard. « De Support-Surface a l’Abstraction Analytique. » Opus International Paris. September 1977.
Hulten, Pontus, Vautier, Ben. « A Propos de Nice. La Creation a Nice. » Cat. Musee National d’Art Moderne, Centre Pompidou. » Paris. January 1977.
Restany, Pierre. L’ecole de Nice, 10 Ans. Editions Galerie De La Salle. St Paul de Vence. Aout 1977.
Pierre, Jose. « Pop Art, An Illustrated Dictionary. Eyre Meythuen Editions. London. 1977.
Flexner, Roland. " On Bernard Pages." Exhibition cat. Galerie Eric Fabre. Paris. 1975.
Flexner, Roland. "Study on the Camel Cigarette Filter Pack." Beau Geste Press. Edition David Mayor, UK. 1975.
Dictionnaire de Poche de la Peinture. "Le Pop Art." Fernand Hazan. Paris. 1975.
Flexner, Roland. "Analyse et Deconstruction d'un Signe." Les Cahiers d'Imago. Paris. 1974.
Flexner, Roland. "Analyse et Deconstruction d'un Signe, 1971-1974." Exhibition cat. Galerie AARP. Paris. 1974.
Flexner, Roland. "A Propos du Ready Made." Une Lettre de La Fenetre. Nice. Fevrier 1973.
Millet, Catherine, "La Peinture a Nice." Art Press No1, Paris. 1973.
Flexner, Roland. "Etude sur le Paquet de Camel." 20 Peintres et le Groupe Textruction." Exhibition cat. Salle des Sports, Etrechy, France. 1972.
Lepage, Jacques. "La Province Bouge." L'Art Vivant. Paris. September 1972.
Pierre Jose. "Ou en est l'Ecole de Nice." La Quinzaine Litteraire No 124. Paris. Septembre, 1-15, 1971.
Gette, Paul-Arman. New Eter No 3. Malmo, Sweeden. 1971.
"Dossier Nice." Chorus No 7. Paris, Septembre 1970.
"Ecole de Nice." Sigma, Bordeaux, France. 1969.
SELECTED ONE PERSON EXHIBITIONS – SELECTED GROUP EXHIBITIONS – SELECTED BIBLIOGRAPHY – SELECTED PUBLIC LECTURES – SELECTED COLLECTIONS
SELECTED PUBLIC TALKS
The Metropolitan Museum of Art, New York. "The Artist Project." http://artistproject.metmuseum.org/2/roland-flexner/
Montclair State University. Montclair, NJ. « Art Forum Lecture Series. » April 2006.
Instituts Franco-Japonais de Tokyo and Yokohama, Japan. November 2004.
The National Museum of Modern Art, Tokyo. « Continuity/Transgression. » Japan. October 2002.
The Cleveland Museum of Art. Center Talk « Carved Images/Painted Images. » January 1998.
CAA 85th Annual Conference (chair). « Art in the Folds. » New York. February 1997.
Aldrich Museum of Contemporary Art. Ridgefield, CT. « Figures and Vanitas. » March 1997.
Duquesne University. Pittsburg, PA. « Visibility and Expressivity. » Annual Meeting of Philosophy and Litterature Conference. May 1993.
SELECTED ONE PERSON EXHIBITIONS – SELECTED GROUP EXHIBITIONS – SELECTED BIBLIOGRAPHY – SELECTED PUBLIC LECTURES – SELECTED COLLECTIONS
SELECTED COLLECTIONS
The Metropolitan Museum of Art. New York.
Francois Pinault Collection, Paris, France..
Whitney Museum of American Art, New York, USA.
National Museum of Modern Art, Tokyo, Japan.
Musee National d'Art Moderne – Centre Pompidou, Paris, France.
Albright Knox Museum, Buffalo, New York. USA.
Fond National d’Art Contemporain, Paris, France.
Indianapolis Museum of Art, Indianapolis, IN. USA.
Musee d’Art Moderne, Saint-Etienne, France.
Musee d’Art Moderne et d’Art Contemporain, Nice, France.
Musee d’art Moderne et Contemporain, Strasbourg, France.
Fond Regional d’Art Contemporain de Picardie, Amiens, France.
Fond Regional d’Art Contemporain d’Auvergne, Clermont-Ferrand, France.
Wadworth Atheneum Museum of Art, Hartford, CT. USA.
The Morgan Library and Museum, New York. USA.
Fogg Art Museum, Harvard University, Cambridge, MA. USA.
Baltimore Museum of Art, MD. USA.
New York University Fine Arts Museum, NY. USA
Memorial Art Gallery, University of Rochester, NY. USA.
Arkansas Art Center Foundation. Little Rock, AK. USA.
Flint Institute of Arts, Flint, Michigan. USA.
Aishti Foundation, Beirut, Lebanon.
Fond Regional d'Art Contemporain de Corse, Ajaccio, Corsica.
Museu de Arte Contemporanea, Porto, Portugal.
Musee des Beaux Arts, La Chaux de Fonds. Swizerland.
Musee Regional d'Art Contemporain Languedoc-Roussillon, France.
Bibliotheque Nationale de France.
La Banque Postale, France.
Bank of China.
The Capital Group Companies. Los Angeles, CA.
The Reader's Digest, NY. USA.
Wellington Management Company, Boston, MA. USA
Sprint Corporation, KS. USA.
Fondation Guerlain, Paris, France.
Durand-Ruel Collection, Paris, France.
Antoine de Galbert Foundation.
Madeira Corporate Services. Madeira, Portugal.
Colecao Texeira de Freitas, Lisboa, Portugal.
Progressive Corporate Art Collection. Cleveland, OH.
The Williams-Sonoma Art Collection. San Francisco, CA