ROLAND
FLEXNER
Born in Nice, France . Lives in New York City.
SELECTED
ONE PERSON EXHIBITIONS |
|
| 2010 | Galleria Massimo De Carlo, Milano, Italy. |
| 2008 | D’Amelio Terras Gallery, New York |
| Galerie Nathalie Obadia, Bruxelles, Belgium | |
2007 |
Hosfelt Gallery, San Francisco. CA. |
2006 |
Galerie Nathalie Obadia, Paris, France. |
2005 |
Itsutsuji Gallery, Tokyo, Japan. |
| Caren Golden Gallery, New York. | |
2004 |
Galleria Massimo De Carlo, Milano, Italy. |
| Institut Franco-Japonais, Tokyo, Japan. | |
| Institut Franco-Japonais, Yokohama, Japan. | |
2003 |
Miller/Block Gallery, Boston, MA. |
2002 |
Caren Golden Gallery, New York. |
| Hosfelt Gallery, San Francisco, CA. | |
2001 |
Caren Golden Gallery, New York. |
| Galerie Nathalie Obadia, Paris. | |
2000 |
Centre d’Art d’Yvry, Galerie F. Leger, Yvry-sur-Seine, France. |
| Espace Gustave Fayet, Serignan, France. | |
1999 |
Miller/Block Gallery, Boston, MA. |
| Hosfelt Gallery, San Francisco, CA. | |
| Centre Regional d’Art Contemporain Languedoc-Roussillon, Sete, France. | |
1998 |
Deven Golden Gallery, New York. |
| Galerie Evelyne Canus, La Colle sur Loup, France. | |
1997 |
Aldrich Museum of Contemporary Art, Ridgefield, CT. |
| Cleveland Museum of Contemporary Art, Cleveland, OH. | |
| Centre Regional d’Art Contemporain Languedoc Roussillon, Sete, France. | |
1996 |
Deven Golden Gallery, New York. |
1994 |
Galerie Meteo, Paris. |
1992 |
Abbaye de Noirlac, Noirlac, France. |
1991 |
Saint Peter’s Church, New York. |
| Galerie Art Concept, Nice, France. | |
1990 |
Bitter Larkin Gallery, New York. |
1987 |
Bruno Facchetti Gallery, New York. |
1986 |
Bruno Facchetti Gallery, New York. |
1984 |
Edward Williams Gallery, Fairleigh Dickinson University, Hackensack, NJ. |
1982 |
PS1, Institute for Art and Urban Resources, New York. |
| . | |
SELECTED
GROUP EXHIBITIONS |
|
| 2010 |
Whitney Museum of American Art, New York. « 2010 Whitney Biennial » |
|
Fond Regional d’Art Contemporain d’Auvergne, Clermond Ferrand, France. « Celebration.» |
|
Musee des Beaux Arts de la Chaux-De-Fonds, Suisse. « Portrait de l’Artiste en Motocycliste. » |
|
Stephan Stoyanov Gallery, New York. « Depth Perception. » |
|
Wheatherspoon Art Museum, The
University of North Carolina at Greensboro. « Art on paper
Biennial 2010. » |
|
The Royal Academy of Arts, London,
England. « No New Thing Under the Sun. » |
|
| 2009 |
Magasin, Centre National d’Art Contemporain, Grenoble, France. «Portrait of the Artist as a Biker.» |
The Andy Warhol Museum, Pittsburgh, PA. « The End.» |
|
Musee d’Art Moderne de Saint-Etienne, France. « Fragile. Terres d’Empathie. » |
|
The Daejeon Museum of Art, Daejeon, Korea. |
|
Accademia d'Ungheria, Roma, Italy. |
|
Galerie Nationale de la Tapisserie, Beauvais, France.« Je, Tu, Il ou Elle. » |
|
Fondation Ricard. Paris, France. « Une Expedition. » |
|
FRAC Picardie, Château-Thierry, France. « Vanites. » |
|
Musee de Serignan, Serignan, France. « Comicstrip. » |
|
Galerie Defrost, Paris. « Cent. » |
|
John Jones Project Space, London, UK. "Paperview." |
|
| 2008 | 1st Poznan Biennial, National Museum of Poznan, Poland. « Un Voyage Sentimental. » |
Museum of Contemporary Art, Tokyo. Japan. « Parallel worlds. » |
|
Fond Regional d’Art Contemporain de Picardie. Amiens, France. « Double Face. » |
|
York Art Gallery. York, UK. « Past as Present. Works from the Lodevans Collection. » |
|
Services Culturels de l’Ambassade de France. New York. « Collection Florence et Daniel Guerlain. » |
|
Saranac Art Projects. Spokane, Washington DC. « The Essence of Touch. » |
|
Bubaque, Guinee Bissau. « Offshore II. » |
|
Ecole Regionale des Beaux-Arts de Nantes. France. « +De Realite. » |
|
Caren Golden Fine Arts, New York. « Tension/Release. » |
|
Galerie Iconoscope. Montpellier, France. « Imago Mundi. » |
|
Fond Regional d’Art Contemporain de Picardie. Amiens, France. «Anatomie, Les Peaux du dessin.» |
|
Galeria Porta. Funchai, Madeira, Portugal. « Desenhos Estranhos .» |
|
G Fine Art, Washington, DC. "Black." |
|
| 2007 | Whitney
Museum of American Art, New York. « Two Years.» |
Château
de Malbrouck, Manderen, France. « Le Merveilleux d’apres
Nature. » |
|
Cheim &
Read Gallery, New York. « I Am as You Will Be.» |
|
The Clay
Center, Charleston, WV. « Realm of the Senses.» |
|
The National
Museum of Modern Art, Tokyo, Japan. «The Sense of Collapse.» |
|
D’Amelio
Terras Gallery, New York. «Works on Paper.» |
|
North Dakota
Museum of Art, Grand Falls, ND. «Conversations: Artist and Collector.» |
|
Galerie
Joe. Philadelphia, PA. «Ink.» |
|
The Hospital. London, UK. « The End Begins. » |
|
| 2006 | The 4th
Berlin Bienniale for Contemporary Arts, Berlin, Germany. « Of Mice
and Men. » |
Flint Institute
of Art. Flint, Michigan, « 400 years of Vanitas. » |
|
Museum im
Kulturspeicher Wurzburg, Germany, « Diagnose Kunst. » |
|
Fond Regional
d’Art Contemporain de Picardie, Amiens, France. « Acquisitions
2005. » |
|
Neuberger
Museum of Art, Purchase, New York. |
|
Denise Bibro
fine Art, New York, « Head over Hand. » |
|
The Cartin
Collection, Hartford, Connecticut, « Strange. » |
|
Musee d’Art
Contemporain de Serignan, France. |
|
Jeannie
Freilich Fine Art, New York. |
|
Arkansas
Art Center, Little Rock, Arkansas, « Collectors Choice and Show.
» |
|
| 2005 | Samuel Dorsky
Museum of Art, New Paltz, NY, |
Chelsea
Art Museum, New York. « Co-Conspirators: Artist and Collector.» |
|
Kunst-Museum
Ahlen, Germany, « Medizin im Spiegel der Zeitgenossischen Kunst.
» |
|
Centro Sperimentale
per le Arti Contemporanee, Caraglio, CN. Italy, |
|
«
Chronos. Il Tempo nell’Arte d’all’Epoqua Barocca all’eta
Contemporanea. » |
|
Galerie
Iconoscope, Montpellier, France, « Locus Solus. » |
|
Caren Golden
Fine Art, New York. |
|
| 2004 | The National
Museum of Modern Art, Tokyo, Japan. « Selections from the Collection.
» |
Orlando
Museum of Art, Orlando, Florida, « Co-Conspirators : Artist and
Collector. » |
|
Weatherspoon
Art Museum. Greensboro, North Carolina, « Art on Paper 2004. » |
|
Arkansas
Arts Center, Little Rock, Arkansas, « National Drawing Invitational.» |
|
Sun Valley
Center for the Arts, Ketchum, Idhao, « Art at the Edge of Science.
» |
|
Fondation
Antoine De Galbert, La Maison Rouge, Paris. « L’intime…
» |
|
Cabinet
des estampes au MAMCO, Geneve, Suisse, « Yellow pages. » |
|
| 2003 | The National
Museum of Art, Osaka, Japan, « Continuity/Transgression. » |
Michael
Kohn Gallery, Los Angeles, California, « The Great Drawing Show.
» |
|
Galerie
Nathalie Obadia, Paris, « Œuvres Recentes. » |
|
Neuberger
Museum of Art, Purchase, New York, « Breathless. » |
|
Museo Regionale
d’Aosta, Italy, « L’Arte del Giocco : da Klee a Boetti.
» |
|
Villa Arson,
Nice, France, « Lee 3 Tau Ceti Central Armory Show. » |
|
Galerie
Nathalie Obadia, Paris, « Œuvres sur Papier. » |
|
| 2002 | The National
Museum of Modern Art, Tokyo, Japan, « Continuity/Transgression.
» |
White Box
Gallery, New York, « Oxygen. » |
|
The Work
Space, New York, « Blobs, Wiggles and Dots. » |
|
Exit Art,
New York, « Reactions. » |
|
James Graham
Gallery, New York, « Cascade of Scales. » |
|
The Drawing
Center, New York, « Anniversary Exhibition. » |
|
| 2001 | Musee d’Art
Moderne et d’Art Contemporain, Nice, France |
The Aldrich
Museum of Contemporary Art, Ridgefield, Connecticut, « Snapshots.
» |
|
Geoffrey
Young Gallery, Great Barrington, Massashussets, « Luck of the Drawn.
» |
|
Contemporary
Museum, Baltimore, Massashussets, « Snapshots. » |
|
| 2000 | Beaver College
Art Gallery, Glenside, Pensylvania. |
John Michael
Kohler Arts Center, Sheboygan, Wisconsin, « Blurry Lines. » |
|
Curt Marcus
Gallery, New York. Galerie Korea, Korean Cultural Services, New York. |
|
Aldrich
Museum of Contemporary Art, Ridgefield, Connecticut, « Best of the
Season. » |
|
| 1999 | Nicole Klagsbrun
Gallery New York, « Works on paper. » |
Hosfelt
Gallery, San Francisco, California. |
|
Yoshi Gallery,
New York, « Petits Formats. » |
|
Galerie
Brownstone/Correard, Paris. |
|
Galerie
Jacques Girard, Toulouse, France. |
|
Florence
Lynch Gallery, New York, « Hands Off. » |
|
Galerie
Brownstone, Paris, « Radicalite. » |
|
| 1998 | Deven Golden
Gallery, New York. |
Maria Cilena
Arte Contemporanea, Bologna, Italy. |
|
Galerie
Ziegler, Zurich, Switzerland, « Encres sur papier. » |
|
Morgensen
Gallery, New York. |
|
Musee d’Art
Moderne et Contemporain de Strasbourg, France, « Inaugural exhibition.
» |
|
Gallery
Korea, Korean Embassy, New York, « Drawings . » |
|
| 1997 | Cheryl Haynes
Gallery, San Francisco, California. « Obsession + Devotion. » |
Usdan Gallery,
Bennington College, Vermont, « Light Catchers. » |
|
Galerie
Meteo, Paris, « In Vivo. » |
|
Galerie
De La Salle, Saint-Paul de Vence, France « Ecole de Nice, 1967/1997.
» |
|
Exit Art,
New York, « Auto Portrait, The Calligraphy of power. » |
|
Galerie
Meteo, Paris, « Meteo Show, Micro Climat sur l’Art Contemporain.
» |
|
| 1996 | Curt Marcus
Gallery, New York, « Works on Paper. » |
Galerie
Alejandro Sales, Barcelona, Spain. |
|
Centre d’Art
Contemporain Le Capitou, Frejus, France. |
|
Centre National
d’Art Contemporain de Grenoble, France, |
|
«
Morceaux Choisis du Fond National d’Art Contemporain. » |
|
Galerie
Meteo, Paris. |
|
| 1995 | E.S. Vandam
Gallery, New York. |
Centre d’Art
du Parvis, Tarbes, France, « Figures. » |
|
Galerie
Meteo, Brussels, Belgium. |
|
Espace Boyer,
Sete, France, « L’Art d’Aimer. » |
|
Galerie
Alejandro Sales, Barcelona, Spain. |
|
| 1994 | Philippe
Briet Gallery, New York. |
Ecole des
Beaux Arts de Lorient, France, « Le temps d’un dessin. » |
|
Galerie
Meteo, Espace Tour Eiffel, Paris. |
|
| 1993 | The Drawing
Center, New York, « Selections, Spring 93. » |
French Cultural
Services of the French Embassy, New York, |
|
«
An American Collection of Contemporary French Art. » |
|
| 1992 | Galerie
Gerald Pilzer, Paris, « Vive la France. » |
Galerie
Michel Vidal, Paris, « Les Annees 60. » |
|
| 1991 | Galerie
Montaigne, Paris. « Dessins. » |
| 1990 | Musee des
Beaux-Arts Jules Cheret , Nice, France. |
Musee d’Art
Moderne et d’Art Contemporain de Nice, « Abstraction des annees
70-80. » |
|
| 1989 | Bass Museum
of Art, Miami Beach, Florida. |
The John
and Mable Ringling Museum of Art, Sarasota, Florida « The School
of Nice. » |
|
| 1988 | Bruno Facchetti
Gallery, New York. |
| 1986 | Palais des
Arts, Musees de Nice, France, « Autour de Nice. » |
| 1985 | Fondation
Marie-Louise Jeanneret, Boissano, Italy, « 10 years of Activities.
» |
| 1984 | Galerie
d’Art Contemporain des Musees de Nice, « L’Art Contemporain
au Musee. » |
The New
Museum of Contemporary Art and The Westbeth Gallery, New York, |
|
«
Artists against Intervention in Central America. » |
|
| 1983 | PS1, The
Clock Tower, New York, « Xenophilia. » |
Institute
for Art and Urban Resources, PS1, Queens, New York. |
|
Galerie
des Ponchettes, Musees de Nice, France. |
|
| 1982 | Fashion
Moda Gallery, The Bronx, New York, « San Francisco - NY, Another
First. » |
Downtown
Cultural Center Artyard, Brooklyn, New York, |
|
«
The Monument redifined, an International Exhibition of Contemporary Monuments.
» |
|
ENAC, Musees
de Nice, France, « 10 Ans des Musees de Nice, Activites et Acquisitions.
» |
|
| 1981 | Sarah Hilden
Art Museum, Tampere, Finland. Fondation Gulbenkian, Lisbon, Portugal. |
Musee Sainte
Croix de Poitier, France. Centre Culturel du Parvis, Tarbes, France. |
|
| 1980 | Musee d’Art
Moderne, Paris. « Biennale de Paris. » |
Galerie
des Ponchettes et Galerie d’Art Contemporain des Musees de Nice,
France. |
|
Maison de
la Culture Andre Malraux, Creteil, France, « Panorama de l’Art
en France. » |
|
| 1979 | Serpentine
Gallery, London, England. « French Art, An English Selection. » |
Fruit Market
Gallery, Edinburgh, Scotland, « A British Council Exhibition. » |
|
| 1977 | Musee National
d’Art Moderne, Centre Pompidou, Paris. « A Propos de Nice.
» |
Musee d’Art
Moderne de Paris, ARC 2, France, « Les Boites. » |
|
. |
|
|
SELECTED
BIBLIOGRAPHY |
Plagens, Peter. « Eye Level. » Art in America, New York. May 2010. |
|
Martinez, Chus. « Whitney Biennial. » Art Forum, New York. May 2010. |
|
Levin, Todd. « The Voices of Silence. » Flash Art, International edition. June 2010. |
|
Zohn, Patricia. « Whitney Biennial exclusive. » The Huffington Post, USA. Feb. 24, 2010. |
|
Schwabsky, Barry. « Scattered Threads. » The Nation. USA. April 26, 2010. |
|
Pollack, Barbara. « A review of 2010. » Art News. New York, March 2010. |
|
Esplund, Lance. « The Unbearable Yet Obligatory. » The Wall Street Journal, New York. March 27, 2010 |
|
Thorson, Alice. « The Show. » The Kansas City Star. March 15, 2010. |
|
Shumann, Stephanie. « Roland Flexner in 2010. » The Drawing Center, New York. March 2010 |
|
Lambotte, Marie Claude. Flexner, Roland. « Les Vanites dans l’Art Contemporain, » P. 27,28, 30 31,174, 175. Editions Flammarion, Paris 2010. |
|
Yablonsky, Linda. « Whitney Museum’s New Show. » Bloomberg News. Feb, 28 2010. |
|
Harper’s Magazine, New York. May 2010. |
|
Luse, Mimi. « The Whitney Biennial Fails Better. » Black Book Magazine. Feb. 2010. |
|
Yung, Susan. « Biennial Time. » Sunday Arts. PBS Thirteen. Feb. 26, 2010. |
|
Bonnet, Frederic. « Le
Whitney en 2010. » Journal des Arts, Paris. No 231,
2010. |
|
Volume magazine No 24,
« Counterculture. » Archis Publisher, New
York/Amsterdam. |
|
Fincato, Olivia. « L’America
del Cambiamento. » Rolling Stone, Italy. March
2010. |
|
Berland, Alain. « Echos
d’outre-Atlantique. » Mouvement. Paris, May 2010 |
|
Kuhn, Thomas W. « Whitney
Biennial :2010. » Kunstforum International. May/June 2010. |
|
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|
Lorand Hegyi « Fragile, Fields
of Empathy. » Skira Editions, Milan, Italy. April 2009. |
|
The Harvard Review, Cambridge,
MA. USA 2009 |
|
Shiner, Eric. « The End. » Cat. The Warhol. Pittsburg. February 2009. |
|
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|
Mediations Biennale 2008. Cat. Poznan
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|
Lecointre, Yves. « Anatomie, Les Peaux du Dessin. » Cat. Collection Guerlain. FRAC Picardie, 2008. |
|
Lorent, Claude. « Des Mondes Enigmatiques. » La Libre Belgique, Bruxelles. 19 November 2008. |
|
Kilston, Lyra. « Roland Flexner :Cuts. » Art on Paper. New York. November 2008. |
|
Flexner, Roland. « Parallel World. » Cat. Museum of Contemporary Art, Tokyo. September 2008. |
|
Dessins « New York 2008. » Cat. Fondation Florence et Daniel Guerlain. New York, 2008. |
|
Daneri, Anna. « Ink World » Mousse Magazine P. 85-87 Milano. Italy. October 2008. |
|
Dessins New York 2008. « Collection Florence et Daniel Guerlain. » 2008 |
|
Cattelan Maurizio , Massimiliano Gioni « Charley 05. » Les Presses du Reel. Paris, France. 2007 |
|
Debize Christian
. « Rodeurs du Merveilleux. » Cat. Château
de Malbrouck France. September 2007. |
|
Smith,
Roberta. « Going the Way of All Flesh, Artistically. » The New York Times. October 10, 2007. |
|
Goodrich,
John. « The Macabre in Every Medium. » The New
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|
Newhall,
Edith. « Drawings that Dot the Ink. » The Philadelphia
Inquirer. PA. July 20, 2007. |
|
Tricot,
Xavier. « I Am as You Will Be. » Cat. Cheim &
Read. New York, September 2007. |
|
Susuki,
Katsuo. « The Sense of Collapse. » Cat. The National
Museum of Modern Art. Tokyo 2007. |
|
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Kenneth. “Searching for Meaning...” San Francisco Chronicle.
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|
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Burkhard. “Diagnose Kunst.” Wienand Verlag. Koln, Germany,
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Deven. “The Raw and The Cooked.” On Edge. American Abstract
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|
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Adriano. “Desenhos. Drawings: A-Z”. Coleccao Madeira Corporate
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|
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Florence & Daniel Guerlain. “Dessins.” (2 catalogues)
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|
Phay-Vakalis,
Soko. « L’envers des Vanites de Roland Flexner. » Art
Absolument. Paris. Sept. 06. |
|
Von Hute,Thon.
« Hauptstrasse der Kunst.» Art kunstmagazin. Hamburg,
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|
Kernan,
Nathan. « Roland Flexner at Caren Golden. » Art in America.
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|
Allen, Jennifer.
« The 4th Berlin Biennial. » Artforum. New York. May
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|
Buchmeier,
Barbara. « Of Mice and Men. » 4th Berlin Biennial Cat.
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|
Kelly, Raymond
J. « To be, or not to be. Four Hundred Years of Vanitas Paintings.
» Flint Institute of Arts. Flint, Michigan. 2006. |
|
Naves, Mario.
« With Chance and a Quick brush, Artist Invents Nocturnal Dramas.
» New York Observer. NY. November 14, 2005. |
|
Baker, R.C.
« Voice pick. » The Village Voice. November 11, 2005. |
|
McAdams,
Shane. « Roland Flexner, Nocturne. » The Brooklyn Rail.
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|
Flexner,
Roland. The New Yorker. November 14, 2005. |
|
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Emma. Schwabsky, Barry. « Vitamin D. New perspectives in Drawing.
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|
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Marie-Claude. « Les Vanites dans l’Art Contemporain » Editions Flamarion, Paris 2005. |
|
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Tokyo, Japan 2005. |
|
Busto, Andrea. « Chronos, Il Tempo nell’Arte. » Ed. Marcovaldo. Caraglio, Italy. 2005 |
|
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« Roland Flexner. » National Drawing Invitational,
Cat. p.p. 18-19, 50-51. Arkansas Arts Center, Little Rock, AK. January
2004. |
|
Scott, Sue.
« Co-Conspirators : Artist and Collector. The Making of a Collection.
» Orlando Museum of Art. FL. September 2004. |
|
Rubinstein,
Raphael. « Independent and International, Highlights of the Cottrell/Lovett
Collection» Orlando Museum of Art. FL. September 2004. |
|
Malecky,
Alex. « Neuberger Exhibit Leaving Patrons Breathless. » The Harrisson Report. (p.p 2-4. Illust.) NY. December 5, 2003. |
|
Stampelman,
Arthur. « Neuberger Leaves us Breathless. » The Rye Record.
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|
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E. J. « And The Universe Said. » Boise Weekly. ID.
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|
Genocchio,
Benjamin. « An Etheral World Explored Breath by Breath. » The New York Times. September 23, 2003. |
|
Dagen, Phillipe.
« Selection de Galeries. » Le Monde. Paris. 30 September,
2003. |
|
Princenthal,
Nancy. « Roland Flexner, 1 :1. » Art On Paper. New
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|
Mc Quaid,
Cate. « Simple and Intricate Style Creates Impressive Results. » The Boston Globe. MA. May 30, 2003. |
|
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Deven. « The Raw and The Cooked. » Art Critical. New
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|
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|
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|
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Natacha. « Livres : 1:1. » Beaux Arts Magazine. Paris.
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|
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Yukihiro. « R. Flexner. » The National Museum of Modern
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|
Smith, Roberta,
«Art in Review. Roland Flexner at Caren Golden Fine Art » The New York Times NY. October 11, 2002. |
|
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Marie-Claude. « La Vanite dans l’Art Contemporain: La Mise
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|
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Annabel. « Callenging Meaning in Contemporary Arts. » The
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|
Bellasi,
Pietro. «L’Arte del Gioco. Da Klee a Boetti.» Edizioni
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|
Nakabayashi,
Kazuo. « A perspective on Contemporary Art : Continuity/Transgression.
» |
|
Cat. The
National Museum of Contemporary Art. Tokyo, Japan. October 2002. |
|
Flexner,
Roland. « Playing with Bubbles » Cat Continuity/Transgression . Tokyo, October 2002. |
|
Larkin,
Matthew. « The End of Art History. » The Japan Time.
Tokyo. January 29, 2002. |
|
Naumann,
Peter. « Continuity/Transgression. » Tokyo Q. Japan.
November 2002. |
|
McGee, John.
« A Perspective on Contemporary Art » Metropolis Japan.
Tokyo. November 2002 |
|
Dannat Adrian.
« The French connection. » The Art Newspaper. »
New York. October 2002. |
|
Reol, Jean-Marc.
« Repetition. » Roland Flexner 1 :1. Editions Michel Baverey,
Paris. Sept. 2002. |
|
Tronche,
Anne. « Double Visibilite. » Roland Flexner 1 :1. Editions
Michel Baverey. Paris. Sept. 2002. |
|
Flexner,
Roland. « Choosing Paper. » Art on Paper. pp.104-105.
New York. May/June 2002. |
|
Schwabsky,
Barry. « Roland Flexner. » Review. Art on Paper. New
York. Sept. - Oct. 2001. |
|
Hutcheson,
Katurah. « Blurry Lines. » Review. Art on Paper. New
York. May - June 2001. |
|
Krajewsky,
Sarah. « Blurry Lines. » New Art Examiner. WI. March
2001. |
|
Robin, Herve.
« L’Art et la Maniere de Coincer une Bulle. » Le
Midi Libre. Toulouse, France. January 17, 2001. |
|
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Ken. The New York Times. NY. July 14, 2000. |
|
Guehenneux,
Lise. « Les Bulles du Souffle.» L’Humanite. Paris.
30 Octobre 2000. |
|
Philippi,
Desa. « Roland Flexner, Encres : Minimal Surfaces. » Cat.
essay. Centre d’Art d’Ivry . Paris. September 2000. |
|
Mc Quaid,
Cate. « Words and Images in Witty Puns. » The Boston Globe.
MA. Dec. 23, 1999. |
|
Johnson,
Ken. « Art in Review : Drawings. » The New York Times.
NY. August 13, 1999. |
|
Baker, Kenneth.
« Drawing Unbound. » San Francisco Chronicle. p. D1.
CA. August 7, 1999. |
|
Goodman,
Jonathan. « Roland Flexner at Deven Golden Fine Art. » Art
on Paper. Volume 2, No 3. New York. January 1999. |
|
Levin, Kim.
« Review. » The Village Voice. New York. September
1998. |
|
Flexner,
Roland. Drawings in Daniel Dezeuze : Colophons. Editions Athanor,
Marseille, France. 1998. |
|
Litt, Steven.
« Flexner Paintings, Drawings Show his Mastery of Illusion. » The Plain Dealer. p.p. 5E-8E. Cleveland, OH. February 3, 1998. |
|
Hirsch,
Faye. « Drawing Bone : Roland Flexner Figures and Vanitas. » |
|
Cat. Essay. The Aldrich Museum of Contemporary Art. Ridgefield, CT. January
1997. |
|
Harris,
Susan. « Roland Flexner at Deven Golden. » Art in America.
New York. March 1997. |
|
Hirsch,
Faye. « Roland Flexner. » Meteorie. Editions Galerie
Meteo, Paris. Spring 1997. |
|
Flexner,
Roland. Drawings on « John Yau : Genghis Chan Private Eyes XXIII.
» pp. 84-89. Lacanian Ink. No 11. New York. Spring 1997. |
|
Nahas, Dominique.
« Roland Flexner at the Aldrich Museum. » Review Magazine.
New York. February 1997. |
|
Charles,
Eleanor. The New York Times. CT. Ed. January 26, 1997. |
|
Flexner,
Roland. « CAA Annual Conference. » Abstracts. p.p.
123-124. New York. Feb. 1997. |
|
Chambers,
Christopher. « Roland Flexner at Deven Golden. » Arts Magazine.
New York. Nov. 96. |
|
Hirsch,
Faye. « Roland Flexner. » On Paper. Vol. 1, No 2. New
York. November 1996. |
|
Kaneda,
Shirley. « Editor’s Choice. » Bomb Magazine.
No 57, New York. November 1996. |
|
Rubinstein,
Raphael and John Yau. « Report from the Ruins of Emerauld City.
» Lingo, No 6. Winter 1996. |
|
Mendelson,
John. « Roland Flexner at Deven Golden Fine Arts. » The
Artnet Hit List. Nov. 1997. |
|
Flexner,
Roland. « Art in the Folds. » New Observations. No
110. New York. |
|
Intro :
page 2 and «Fabric Made Body. » p.p. 26-27. January - February
1996. |
|
«Chroniques
Nicoises, Genese d’un Musee. » Tome 2. Editions Musee d’Art
Moderne et d’Art Contemporain. Nice, France. 1996. |
|
Parsy, Paul
Herve. « Roland Flexner. » Morceaux Choisis du Fond National
d’Art Contemporain. |
|
Le Magasin.
Cat. Centre National d’Art Contemporain de Grenoble. France.
October 14, 1995 – January 7, 1996. |
|
Flexner,
Roland. « Corps Mystique, Corps Sacre. » Yale French Studies.
No 86. (Cover.) 1995. |
|
Muridsany,
Michel. « Une rentree Consensuelle. » Le Figaro. Paris.
September 20, 1994. |
|
Exporama.
« Roland Flexner, Galerie Meteo. » Art Press. No 197.
December 1994. |
|
Flexner,
Roland. «Drawing Project.» Bomb Magazine. No 47. p.p.
84-85. New York. Spring 94. |
|
Flexner,
Roland. « Looking at Sculpture as a Pictural Model. » Visibility
and Expressivity : Seventeenth Annual meeting. Philosophy and Litterature |
|
Conference. Duquesne University. Pittsburg, PA. May 1993. |
|
«The
Drawing Center’s Annual Selections. » The New Yorker.
NY. March 22, 1993. |
|
Flexner,
Roland. « Statement. » Cat. Selections/Spring 93. The Drawing
Center. New York. 1993. |
|
Hartney,
Eleanor. « An American Collection of Contemporary French Art. »
Cat. essay. French Cultural Services. New York. November 1993. |
|
Flexner,
Roland. « Lettre de Noirlac: Diptyques a Pleurants.» 10e ed. Abbaye de Noirlac. Ete 1992. |
|
Desbiolles,
Maryline. « La Main a la Pate. » sur 10 dessins de Roland
Flexner. La Metis. No 6. Le Travail. Spring 1991. |
|
«Chroniques
Nicoises, genese d’un Musee. » Tome 1. Ed. Musee d’Art
Moderne et d’Art Contemporain. Nice, France. 1991. |
|
Mc Namara,
Peter. « Roland Flexner at St Peter’s Church. » Art
and Architecture. March 1991. |
|
Hunter,
Sam. « Roland Flexner, Recent Paintings. » Cat. Bitter/Larkin
Gallery. New York. Jan. 90. |
|
Von Weist,
Powell. « Roland Flexner at Bitter/Larkin. » New York Magazine.
February 1990. |
|
Hunter,
Sam. « The School of Nice and its Movements. » Cat. Bass
Museum of Art. Miami, FL. March 1990. |
|
Shulman,
Woody. « French Works Shows Rebellion Against Predecessors’s
Art. » The Bradenton Herald. November 15, 1989. |
|
Ruggiero,
Laurence. « The School of Nice. » Cat. The John and Mable
Ringling Museum of Art. Sarasota, FL. October 1989. |
|
Fournet
Claude, « Autour de Nice. » Fond d’Art Contemporain.
Cat. Musees de Nice. June 1985. |
|
«
10 Ans des Musees de Nice, Activites et Acquisitions :1972-1982. »
Cat. Galerie d’Art Contemporain des Musees de Nice. France.
November 1983. |
|
Imbernon,
Laurence. « Tout Vas Bien, Comme la Peinture en 1970. » Artistes.
No 13. Paris. November 1982. |
|
Gowa, Sabine.
« Roland Flexner : Croisees. » Cat. Fondation Marie-Louise
Janneret. Boissano, Italy. July 1980. |
|
Marle, Judy.
« Roland Flexner. » Biennale de Paris. Cat. Musee d’Art
Moderne de la Ville de Paris. September 1980. |
|
Flexner,
Roland. « Iconographie. » Œuvres de la Collection Durand
Ruel. Les Cahiers d’Imago. Paris. August 1974. Second Edition
: September 1980. |
|
Marle, Judy.
« French Art, An English Selection. » An Exhibition of the
British Council. Cat. The Serpentine Gallery. London. April 1979. |
|
Domingo,
Willis. « Artists from France. » Art Monthly. London.
May 1979. |
|
Wayser,
Claudine. « L’Ecole de Nice. » Art Press International.
Paris. 1979. |
|
Cork, Richard.
« Undiscovered Country. » The Guardian. London. April
20, 1979. |
|
Shepherd,
Michael. « France’ 79. French Art at the Serpentine. France’79-Dry,
Travels well. » What’s On in London. April 6, 1979. |
|
Fournet,
Claude. « L’Ecole de Nice, 20 Ans Apres : L’Aventure
du Sens de la Peinture. » Connaissance des Arts. No 316.
p.p. 78-85. Paris. June 1978. |
|
Lamarche
Vadel, Bernard. « De Support-Surface a l’Abstraction Analytique.
» Opus International Paris. September 1977. |
|
Flexner,
Roland. « A Propos de Nice. La Creation a Nice. » Cat. Musee
National d’Art Moderne, Centre Pompidou. » Paris. January
1977. |
|
Restany,
Pierre. L’ecole de Nice, 10 Ans. Editions Galerie De La Salle.
St Paul de Vence. Aout 1977. |
|
Pierre,
Jose. « Pop Art, An Illustrated Dictionary. » Eyre Meythuen
Editions. London. 1977. |
|
«
Kleines Lexicon der Pop Art. » Dumont Editions. Berlin, Germany.
1977. |
|
. |
|
. |
|
|
SELECTED
PUBLIC LECTURES |
Montclair
State University. Montclair, NJ. « Art Forum Lecture Series. »
April 2006. |
|
Instituts
Franco-Japonais de Tokyo and Yokohama, Japan. November 2004. |
|
The National
Museum of Modern Art, Tokyo. « Continuity/Transgression. »
Japan. October 2002. |
|
The Cleveland
Museum of Art. Center Talk « Carved Images/Painted Images. »
January 1998. |
|
CAA 85th
Annual Conference (chair). « Art in the Folds. » New York.
February 1997. |
|
Aldrich
Museum of Contemporary Art. Ridgefield, CT. « Figures and Vanitas.
» March 1997. |
|
Duquesne
University. Pittsburg, PA. « Visibility and Expressivity. »
Annual Meeting of Philosophy and Litterature Conference. May 1993. |
|
. |
|
|
SELECTED
COLLECTIONS |
Whitney
Museum of American Art, New York, USA. |
|
National
Museum of Modern Art, Tokyo, Japan. |
|
Musee National d'Art Moderne - Centre Pompidou, Paris, France. |
|
Fond National
d’Art Contemporain, Paris, France. |
|
Musee d’Art
Moderne, Saint-Etienne, France. |
|
Musee d’Art
Moderne et d’Art Contemporain, Nice, France. |
|
Musee d’art
Moderne et Contemporain, Strasbourg, France. |
|
Fond Regional
d’Art Contemporain de Picardie, Amiens, France. |
|
Fond Regional d’Art Contemporain d’Auvergne, Clermont-Ferrand, France. |
|
Wadworth
Atheneum Museum of Art, Hartford, CT. USA. |
|
Fogg
Art Museum, Harvard University, Cambridge, Ma. USA. |
|
Arkansas
Art Center Foundation. Little Rock, AK. USA. |
|
Flint Institute
of Arts, Flint, Michigan. USA. |
|
Wellington
Management Company, Boston. MA. USA. |
|
The Reader’s
Digest, NY. USA. |
|
Sprint Corporation,
KS. USA. |
|
Simmons
& Simmons, London. |
|
Musee d’Art
Contemporain de Serignan, France. |
|
Musee des Beaux Arts, La Chaux de Fonds. Swizerland. |
|
Fondation
Guerlain, Paris, France. |
|
Durand-Ruel
Collection, Paris, France. |
|
Madeira
Corporate Services. Madeira, Portugal. |
|
Progressive Corporate Art Collection. Cleveland, OH. |
|
The Capital Group Companies. Los Angeles, CA. |
|